🇬🇧 United Kingdom · Est. 1973

AMEK

Neve DNA in a New Form

AMEK was founded in Manchester in 1973, and for much of its early history it existed in the long shadow of Neve — also British, also analog, also beloved by engineers who cared deeply about the quality of their equipment. But AMEK found its own voice, and its collaboration with Rupert Neve after his departure from his own company produced some remarkable results.

The AMEK Angela console was a direct Neve design, commissioned when Rupert Neve was working as a consultant following his departure. It carried the DNA of his greatest work in a contemporary format, and it found homes in major studios across Europe and North America.

AMEK was eventually acquired by Harman, and later the brand was absorbed entirely. But the Angela and the AMEK 9098 series — the latter also Neve-designed — remain among the most sought-after large-format consoles for engineers who want that classic British character without paying the full premium of an original Neve.

Notable Consoles

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M-3000 (Amek 3000)

1978 – mid 1980s
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AMEK APC-1000

APC-1000

mid-to-late 1980s
Channels
32 – 56
Layout
In-line
EQ
4-band parametric
GML Moving Fader Automation VCA grouping Studio Jive / Sunset Sound installs
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AMEK Big

Big

1984 – 1991
Channels
24 – 60
Layout
In-line
EQ
4-band parametric
Graham Langley design (not Neve) VCA automation Total Recall companion system Mid-1980s UK flagship
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AMEK Angela

Angela

1985 – 1997
Channels
32 – 72
Layout
In-line
EQ
4-band
Rupert Neve design for AMEK Neve transformer warmth Musical EQ character European studio favourite
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AMEK 9098i

9098i

1993 – 2001
Channels
32 – 56
Layout
In-line
EQ
4-band parametric
Rupert Neve design for AMEK Flying faders automation "Artistry in Analogue" — brochure tagline RAK Studios, London
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AMEK M-2000 A

M-2000 A

1980 – mid 1980s
Channels
36
Layout
Split
EQ
4-band parametric
M-3000 sibling at lower price point AUTO-PAK SMPTE-locked computer editing / mixing Allison 65K Programmer compatible Stock 36/24 frame $60,000 (1980)
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AMEK Matchless

Matchless

1984 – late 1980s
Channels
26 standard (larger options)
Layout
Split
EQ
4-band swept (Angela circuit)
"Scaled-down Angela" — same circuits, smaller frame 24-bus routing Swept mids with selectable Q $19,950 standard (1984)
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AMEK G2520

G2520

1987 – early 1990s
Channels
32 – 64+
Layout
In-line
EQ
4-band
"Master Recording Console" GML Moving Fader Automation (headline pairing) Angela in-line lineage refined Audio Kinetics MasterMix compatible
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AMEK Recall (SR)

Recall (SR)

1993 – late 1990s
Channels
35 or 52 positions
Layout
Live / sound-reinforcement
EQ
4-band swept (Langley design, distinct from Big)
Second "By-Langley" desk after the Big Live + SR market positioning Snapshot + recall automation standard "Virtual Dynamics" software optional
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AMEK MFX3 / FAME

MFX3 / FAME

1996 – late 1990s
Channels
Variable (Fairlight DSP configuration)
Layout
Digital integrated system
EQ
Fairlight DSP
AMEK + Fairlight joint development Fairlight MFX3 audio engine under AMEK control surface AMEK SuperTrue automation Analogue / AES-EBU / Yamaha digital I/O choice
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AMEK Rembrandt

Rembrandt

1996 – early 2000s
Channels
56 or 112
Layout
Split (master production)
EQ
4-band AMEK EQualisation (every input)
"Master production console" — top of mid-90s AMEK line AMEK SuperTrue VCA automation (standard) AMEK SuperTrue Moving Faders (option) Virtual Dynamics + Visual FX (MIDI to Lexicon / TC / Yamaha)
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AMEK Galileo

Galileo

1996 – early 2000s
Channels
24 – 48 (typical)
Layout
Split (mid-tier master)
EQ
4-band
Above the Mozart in mid-90s AMEK line AMEK SuperTrue automation "Cool Boards in the USA" 1997 campaign
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