Behringer Eurodesk MX8000 — Behringer Eurodesk MX8000 vs Mackie 8•Bus — AES 98 "Design by Proxy" editorial — Mix 1995-05
Behringer Eurodesk MX8000 vs Mackie 8•Bus — AES 98 "Design by Proxy" editorial — Mix 1995-05
Behringer Eurodesk MX8000 — Behringer Eurodesk MX8000 — "Works Miracles Late at Night" — Studio Sound 1997-05 Behringer Eurodesk MX8000 — Behringer Eurodesk MX2442 + MX8000 — "Hand it over!" — Studio Sound 1997-11
🇩🇪 Behringer

Eurodesk MX8000

mid-1990s – early 2000s

Technical specs

Channels40
LayoutIn-line
Groups8
EQ3-band (swept mid)
Eurodesk flagship Budget large-format entry point Mid-1990s studio console CYBERMIX automation option

A 40-channel, 8-bus in-line recording console with 3-band EQ (swept mid), balanced mic/line inputs, channel/subgroup/main inserts, and optional CYBERMIX moving-fader automation. Positioned directly opposite the Mackie 8•Bus from launch — the Mix 1995 AES "Design by Proxy" editorial compared the two desks side-by-side. For an entire wave of mid-1990s budget studios and home recordists, the MX8000 was the gateway to large-format multitrack tracking before the MX9000 brought the price even lower.

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Behringer Eurodesk MX8000 vs Mackie 8•Bus — AES 98 "Design by Proxy" editorial — Mix 1995-05
Behringer Eurodesk MX8000 vs Mackie 8•Bus — AES 98 "Design by Proxy" editorial — Mix 1995-05 (1995)
Behringer Eurodesk MX8000 — "Works Miracles Late at Night" — Studio Sound 1997-05
Behringer Eurodesk MX8000 — "Works Miracles Late at Night" — Studio Sound 1997-05 (1997)
Behringer Eurodesk MX2442 + MX8000 — "Hand it over!" — Studio Sound 1997-11
Behringer Eurodesk MX2442 + MX8000 — "Hand it over!" — Studio Sound 1997-11 (1997)

Notable Recordings

  • Budget and home studio productions, mid-1990s onwards

Studios

  • Project and home studios worldwide

Service Manuals & Schematics