🇺🇸 United States · Est. 1975

Harrison

In-Line Architecture. Infinite Precision.

Harrison Consoles ↗

Dave Harrison started as a saxophonist and recording engineer in Cincinnati, Ohio, eventually becoming Manager at King Records — the iconic studio of James Brown, Hank Ballard, and John Lee Hooker. Moving to Nashville, he founded Studio Supply, a studio-outfitting company that also resold MCI multitrack recorders. Approaching MCI founder Jeep Harned with ideas for a revolutionary "in-line" console design, the collaboration produced the MCI JH-400 in the early 1970s — the first commercially produced in-line console ever built. When MCI showed no interest in his further innovations, Harrison founded his own company.

Harrison Audio debuted in 1975 with the 32-Series, centred on the flagship Harrison 3232. By combining the previously separate recording and tape-return monitoring signal paths into each channel strip, it saved space and streamlined multi-track workflows — and after its success, the in-line design became the de facto standard for recording consoles worldwide. The 32-Series and its 32C variant went on to become one of the most-used desks of the late 1970s and 1980s: Deep Purple, Rolling Stones, Led Zeppelin, Kansas, Steely Dan, Iggy Pop, Queen, ABBA, Genesis, Michael Jackson's Thriller (1982, 32C at Westlake), Michael Jackson's Bad (1987, 32C at Westlake), Nirvana's Nevermind, and the Smashing Pumpkins' Gish were all recorded on it.

Harrison's involvement in film mixing — PP-1 in 1979 with some of the earliest computer-driven automation, the groundbreaking SeriesTen in 1985 (the world's first fully automated console, using digital encoders in place of analog potentiometers), and the Motion Picture Console in 1992 (built for Sony Pictures, with motorized joysticks for automated surround panning) — gave the company a perspective on audio that most recording console manufacturers never possessed.

In 2009 Harrison launched Mixbus, a DAW built on open-source Ardour with Harrison-style summing and EQ. In 2022, SSL (and the wider Audiotonix Group) formally acquired Harrison. The 32Classic console, a spiritual successor to the original 32-Series, arrived in 2023 — followed by 500 Series modules in 2024.

Notable Consoles

Harrison 32-Series (3232 / 32C)

32-Series (3232 / 32C)

1975 – 1990s
Channels
24 – 56
Layout
In-line
EQ
4-band semi-parametric
First in-line design Film-spec headroom Smooth EQ curves Thriller / Nevermind
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Harrison 2824

2824

1975 – early 1980s
Channels
28
Layout
In-line
EQ
4-band semi-parametric
28-in / 24-bus frame Automation ready from Jan 1977 Nashville-built Compact 32-Series sister
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🇺🇸

3624

1978 – early 1980s
Channels
36
Layout
In-line
EQ
3-band reciprocal parametric + parametric HPF
36-in / 24-bus mid-size frame 9 subgroups AUTO-SET automation ready Stereo cue + 2 echo sends
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Harrison 4032C

4032C

1978 – 1990s
Channels
up to 40 mic + 88 line
Layout
In-line
EQ
4-band fully parametric reciprocal
Up to 40 mic inputs + 88 line JFET switching (no relays) Passive EQ filtering VU meter overbridge option
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Harrison 4432C

4432C

1979 – late 1980s
Channels
44
Layout
In-line
EQ
4-band fully parametric reciprocal
Aircraft aluminium frame Remote / location weight saving Quick-connect splice block patching Identical 32C modules as 4032C
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Harrison 4832C

4832C

1980 – early 1990s
Channels
48 (+ 102 line in mixdown)
Layout
In-line
EQ
4-band fully parametric reciprocal
Dual 24-track operation 48 I/O with VCA grouping + AUTOSET Split record/monitor operation 102 line inputs in mixdown
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Harrison MR Series (MR-2 / MR3 / MR4)

MR Series (MR-2 / MR3 / MR4)

1980 – 1990
Channels
24 – 48
Layout
In-line
EQ
3-band parametric (MR3 EQ)
MR3 EQ lineage (still in 500-series) MR-2 at Westlake Studio D Bruce Swedien / Michael Jackson Bad Dynamic velvety Harrison character
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Harrison Raven

Raven

1982 – late 1980s
Channels
24 – 56
Layout
In-line
EQ
4-band parametric
Post-production specialist Compact 32C architecture Harrison "A Dream Becomes Reality." campaign Iconic 1984 raven-on-meterbridge ad
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🇺🇸

PP-1 (Film Console)

1979 – mid 1980s
Channels
24 – 64
Layout
Split / film
EQ
4-band
Early computer automation Film post Pre-SeriesTen automation
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Harrison SeriesTen

SeriesTen

1985 – 1994
Channels
32 – 96
Layout
In-line
EQ
Fully automated (digital encoders)
World's first fully automated console Digital encoder per parameter TEC Award 1991 Live Aid 1985
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Harrison SeriesTwelve

SeriesTwelve

1994 – 2005
Channels
48 – 128
Layout
Digital surface / analog racks
EQ
Fully parametric digital
Separated surface + processing Touchscreen Four channel layers Apple NuBus powered
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🇺🇸

MPC (Motion Picture Console)

1992 – present
Channels
96 – 384
Layout
Film dubbing stage
EQ
8-band per channel
Multi-user mixing Motorized surround joysticks Dolby Atmos (MPC5) Hollywood standard
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🇺🇸

32Classic

2023 – present
Channels
32 – 64
Layout
In-line
EQ
4-band (32-Series topology)
Analog 32-Series heritage Hybrid DAW integration Jensen transformer preamp First new console in a decade
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Vintage Advertisements

Harrison — "NO COMPROMISE" — full-page essay-ad signed by Dave Harrison; the "No Compromise" tagline (a 1976 dealer-listing bottomline) elevated to a hero brand-manifesto headline over a black-background 32-Series console — Recording 1979-04
Harrison — "NO COMPROMISE" — full-page essay-ad signed by Dave Harrison; the "No Compromise" tagline (a 1976 dealer-listing bottomline) elevated to a hero brand-manifesto headline over a black-background 32-Series console — Recording 1979-04 (1979)
Harrison "Worth Its Wait In Gold" — broadcast line introduction: TV-3, PRO-7 and TV-4 consoles — Recording 1985-02
Harrison "Worth Its Wait In Gold" — broadcast line introduction: TV-3, PRO-7 and TV-4 consoles — Recording 1985-02 (1985)
Harrison Octagon at MetaSound, Amsterdam — "MetaSound" editorial feature on the film/post installation — Studio Sound 1998-07
Harrison Octagon at MetaSound, Amsterdam — "MetaSound" editorial feature on the film/post installation — Studio Sound 1998-07 (1998)