AMEK Recall (SR) — AMEK Recall (SR)
AMEK Recall (SR)
🇬🇧 AMEK

Recall (SR)

1993 – late 1990s

Notable users

Live touring + multi-act venues (per AMEK SR launch)

Technical specs

Channels35 or 52 positions
LayoutLive / sound-reinforcement
Groups8
EQ4-band swept (Langley design, distinct from Big)
Era1993
Frame sizes35 or 52 positions
Module typesInput, 8×8 Group-Matrix, Stereo Master, Monitor Master
FOH config24:8:2 or 40:8:2 with 12 aux sends
PSUDual outboard with auto-changeover + spare PSU accessory
DesignerGraham Langley (AMEK)

Market value

(rare; price varies)

Rarity

Rare

Second "By-Langley" desk after the Big Live + SR market positioning Snapshot + recall automation standard "Virtual Dynamics" software optional

The Recall was the second AMEK desk under Graham Langley's "By-Langley" banner — the Big was the first. Aimed at sound-reinforcement and live-recording: two frame sizes (35 and 52 positions), four module types (Input, 8×8 Group-Matrix, Stereo Master, Monitor Master), 24:8:2 or 40:8:2 FOH configuration with 12 aux sends. EQ was a Langley-designed 4-band swept (12 dB/oct) distinct from the Big's, with switchable HF/LF bell-shelf and switchable MF Q. Snapshot + recall automation as standard, Virtual Dynamics software optional. Patrick Stapley's Studio Sound review (1993-11) headlined it "Going Live — studio sophistication that talks back".

Vintage Advertisements

AMEK Recall (SR) — "Going Live" — Recall-By-Langley, second under Langley banner, 35/52 frame sizes, 4-band swept EQ, snapshot + recall automation — Patrick Stapley review Studio Sound 1993-11
AMEK Recall (SR) — "Going Live" — Recall-By-Langley, second under Langley banner, 35/52 frame sizes, 4-band swept EQ, snapshot + recall automation — Patrick Stapley review Studio Sound 1993-11 (1993)

Notable Recordings

  • (Designed for live + SR market; no specific chart sessions independently verified)

Studios

  • Live touring + multi-act venues (per AMEK SR launch positioning, Studio Sound 1993-11)